Archive for the 'advertising' Category

AKQA makes Fast company’s top 50 most innovative companies

AgencySpy reports AKQA is 48th most innovative company globally, with Google in pole position followed by Apple.

From the website:

#48 AKQA

Most interactive-ad shops master either the creative or the technical; AKQA is expert at both. Whether building a Pixar-quality interactive online universe for Coke’s breathtaking “Happiness Factory” campaign (below), or masterminding a multimedia “alternate reality game” for Microsoft’s Halo 3, the digital powerhouse doesn’t just dream up mind-bending ideas, it actually writes the code that brings them to life. Which is why, after five consecutive years of profitability, AKQA is one of the most dangerous global forces in the ad industry. While ad holding companies and tech firms spent billions in 2007 to snap up digital shops, AKQA fended them off, opting instead for a $250 million investment from private-equity firm General Atlantic. In the meantime, the 700-person agency boosted revenues 39% to $100 million and added new clients such as Unilever, DoubleClick, and Cadbury Schweppes — on top of existing accounts with Nike and McDonald’s.

Fast company blog

More about AKQA can be found here.

google announces launch of gadget ads

Google has been running a private beta to a select number of advertisers since May. Today they announced the limited launch of Google Gadget Ads, a new interactive ad format that will run on their content network. Unlike Google AdWords’ existing array of text, video and graphical ads, Google Gadget Ads are designed to be interactive, can be built using HTML or Flash, and support both cost-per-click (CPC) and cost-per-impression (CPM) pricing models (more specs here).

Designed to act more like content than a typical ad, they run on the Google™ content network, competing alongside text, image and video ads for placement.

They support both cost-per-click and cost-per-impression pricing models, and offer a variety of contextual, site, geographic and demographic targeting options to ensure the ads reach relevant users with precision and scale.

Gadget ads are also built on an open platform, allowing anybody from individual advertisers to agencies to set up and run ads on the Google content network, the world’s largest global online ad network. Plus, gadget ads will not command any serving or hosting costs.

Feedback from preliminary beta participants, including brand advertisers such as Pepsi-Cola North America’s Sierra Mist, Intel, Honda, Six Flags and Paramount Vantage, has been overwhelmingly positive.

Here’s the rundown on Google Gadget Ads:

  • The ads are interactive
  • They can be both HTML and Flash based
  • Google Gadget Ads can incorporate real-time data feeds
  • Different targeting options – contextual, site, geographic, and demographic
  • Built on an open platform – open to anyone
  • They can be placed on any web page, including iGoogle
  • Detailed interaction reports – track dozens of actions within each ad unit

Here’s an example from Honda:
honda_google_gadget
and here are the specifics of the campaign.
(More Google Gadget Ads examples here)

via Marketing Pilgrim

facebook: flyer pro

Facebook has introduced a new ‘flyer’ advertising service on its platform

The new Flyer Pro offers much more targeted potential to the advertiser and is an excellent and cost effective way to drive people from specific networks and with specific interests to that advertisers product.

Facebook’s targeted ads

Facebook can segment some ads by gender and city, not even Google Ad Sense can be this accurate. Mashable wonders if this is clever or evil? I say clever, and if deployed correctly, the ads may be more relevant to the user –and less disruptive. Imagine if ads became so intelligently contextual that they are as valuable as news items on a feedreader.

Thanks to Jeremiah Owyang

On a side note, threebillion* released a video of some stats they’ve pieced together:

“32% of British 11-20 year olds said they would be happy to recieve advertising messages to their mobiles…71% said they would be happy to recieve advertising messages targeted to their particular interests”.

*3 billion is the size of the world’s population under 25yrs

social media strategy: starting the conversation

Capture the Conversation
Capture the Conversation is a great dource of information and tutorials on setting up and maintaining various Internet social media and search visibility tools such as Digg, NewsGator, Google Reader. The copany won a Gold Peak award in the Social Media category in this year’s American Marketing Awards.

Have a dig around, there’s an enormous amount of info…I found loads of it really useful, particularly in terms of getting started, subscribing to feeds and joining the conversations that are being started.

Nokia at the iPhone launch, New York

A Nokia employee went to the iPhone line the morning of the launch and filmed this on his Nokia:

This is a brilliant example of how to take part in a competitor’s launch and stay relevant, with the effect that they become part of the story.

The Branded Application…another take

There’s a brilliant observation written by Mac Randall of Interactive Cognition concerning the success of Nike+ at Cannes the other week.

He describes the site as a ‘Branded Application’, a product. But what is a Branded Application?

“Traditional campaigns focus on entertainment to deliver a message,” writes Teknision, ” while Branded Applications provide a valuable service in order to deliver an emotional connection with a brand.”

So, Branded Applications offer valuable services which provide an emotional connection to a brand. Essentially, you’re providing something useful to your audience and at the same time you’re offering them opportunities to purchase some of your brand’s products.

As Mac goes onto say, “Brands that choose this path will be dramatically set apart from those that are still intent on interrupting the consumer wherever they are. Finding clever ways to yell “buy more” is a trite form of communication and is hopefully cruising towards its demise.

Branded Applications pick up where most websites fall short. The branded application is much deeper than a flashy microsite because there is an opportunity to excel where other experiences fall short. Applications like Nike + take the power of the web, the idea of community, the growing ability to build tools online, and run with it (yes, that horrible pun intended). The experience is sleek, useful, engaging, and most importantly begs to be revisited time and time again.”

Whilst I don’t agree with the last sentence – I actually find the site cumbersome to use for the most part – I do agree with the value it offers.

Nike Plus
I’m interested in seeing the Nike+ application evolve for a different reason to Teknision. I would question how much elastic limit the Nike+ application has for more value to be bolted on to it. Applications by their very nature do one thing well. I believe Nike and RG/A are in danger of dilluting the value of the Nike+ product they’ve created by extending its functionality rather than taking what they’ve built and making it more stable, more reliable and a more solid product overall.

Rather than bolting additional functionality onto the Nike+ application, making it more unwieldy, light-weight applications which do one thing well and interconnect via an platform-like API – much like a suite of themed applications – would be better. Unfortunately, design implimentations like that only occur when you’re not working to the same timeframe as your marketing calender but instead for the benefit of your consumers and the long term.

The death of the brand proposition and the rise of the brand story

Currently, at the heart of all brand planning lies the single-minded brand proposition. This is, by necessity, a highly focused and concentrated concept expressed in very few words (sometimes only one word). Its primacy as a planning tool derives from the fact that you need this level of focus to make an ad and ads have been the principal communications tool for most brands. However, we all know the world is changing away from advertising and the type of one-way, didactic advertising we’re used to.

Consumers want more engagement and conversation and the new media channels that are opening up also require this in order to operate successfully within them. The brand proposition is a singularly unhelpful tool as the basis for conversation or richer forms of consumer engagement. If a brand were to walk into a room of metaphorical consumers and, with a look of determination, say “Just Do It’, she would be classified as socially dysfunctional and avoided at all costs.

What a brand needs in order to be successful at a party full of consumers, is a story. Stories are richer and deeper than brand propositions and extend backwards into a brand’s category and history and also forwards into the functional reality of product delivery. It will essentially be the brand’s claim to trust and authority.

Conversations are now the kingdom

The old Packaged Goods Media (PGM) model, driven by compaines such as BBC, ITV and Sky, has evolved towards the new Conversational Media (CM) model driven by MySpace, GoogleTube and Facebook. WhilstContent is King, Conversations have now become the kingdom. Continue reading ‘Conversations are now the kingdom’

Evolving Storytelling & Experiences in Advertising

Dove’s “Evolution” and “Nike +” came out as two of the big winners from the Cannes Advertising Festival.

One of these is a compelling story. The other is a compelling experience (or brand application). Both leverage digital technologies to bring the consumer closer to the brand. But I’m biased. While I think the Dove video was a wonderful short film—brilliant in fact, I feel that pursuing this model exclusively will hinder the growth of traditional Ad agencies.

Re-purposing video for online media channels doesn’t make them interactive. Whilst traditional ads currently tell brilliant stories, there’s nothing interactive about them with the exception of clicking a virtual button to play it. In fact, the only re-tooling a traditional Ad agency needs to do to fulfill this model is to tell really good stories which people will distribute. They’ll have to do better than the typical 30 second spot, because videos that tend to go viral are usually emotionally charged in some way. They aren’t watered down. There’s also a danger to seeking “prestige” via video—a video can go viral and do nothing for the brand but everything for the agency who produced it. Dove does not fit this model—but others may. Tea Partay was cute, but honestly, I forgot what brand/product it was promoting in the first place.

So agencies who go after the holy grail of viral videos, just need to make sure they staff really good storytellers. But many traditional Ad agencies already have good storytellers, consequently, they’re bound to overcome the digital agency upstarts.

What happens if you go the other way and believe experiences are more persuasive than video spots. Digital agencies who create user experiences don’t always have the best storytellers working for them. Even if they’ve figured out how to design useful and usable digital applications which go beyond the Web, they sometimes lack the ability to tell a story that’s as powerful as something like Dove’s Evolution.

So what’s an agency to do?

The reality is that we don’t have to do anything. Agencies who know how to tell stories can adapt and tell these stories where the eyeballs are moving (Web, mobile, etc). Firms who have designed and built good user experiences can continue to do this both on the web and in other places. But imagine the opportunity for the company, brand, or agency who cracks the experience+storyteller code. Maybe it comes from one source—or maybe it’s orchestrated through the joint efforts of internal and external resources (including consumers). It doesn’t matter—as long as both storytelling+experience are there.

Another way to look at this is if Dove had come up with a “brand application” as cool and useful as Nike’s—or if Nike had produced a short film as compelling as Dove’s…that would have shown some real evolution within the industry



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